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Chase Hutchinson

  • ‘Motel Destino’ Review: Karim Aïnouz’s Erotically Charged Thriller Has Plenty of Visual Spark But Fizzles Out

    Cannes 2024: Though its colors often pop off the screen, its direction, writing and performances remain disappointingly flat

    By

    Chase Hutchinson
    May 22, 2024 @ 2:25 PM
    Cannes Report
    2:25 PM
    ‘Motel Destino’ Review: Karim Aïnouz’s Erotically Charged Thriller Has Plenty of Visual Spark But Fizzles Out
  • ‘Armand’ Review: Renate Reinsve Is Riveting in Fearsome Chamber Drama

    Cannes 2024: Though she won Best Actress at the festival for her performance in 2021’s ‘The Worst Person in the World,’ Reinsve’s latest is her best work to date

    By

    Chase Hutchinson
    May 22, 2024 @ 7:22 AM
    Movies
    7:22 AM
    ‘Armand’ Review: Renate Reinsve Is Riveting in Fearsome Chamber Drama
  • ‘Marcello Mio’ Review: Christophe Honoré’s Charming Comedy Boasts a Terrific Chiara Mastroianni

    Cannes 2024: With a delightful cast playing versions of themselves, this film is a funny look at acting, performance, and familial legacy

    By

    Chase Hutchinson
    May 21, 2024 @ 12:27 PM
    Cannes Report
    12:27 PM
    ‘Marcello Mio’ Review: Christophe Honoré’s Charming Comedy Boasts a Terrific Chiara Mastroianni
  • ‘Lula’ Review: Oliver Stone’s Portrait of Brazil’s President Captures a Remarkable Story

    Cannes 2024: The legendary director’s latest provides what should only be the start of reflections on Luiz Inácio Lula da Silva

    By

    Chase Hutchinson
    May 19, 2024 @ 2:52 PM
    Cannes Report
    2:52 PM
    ‘Lula’ Review: Oliver Stone’s Portrait of Brazil’s President Captures a Remarkable Story
  • ‘The Substance’ Review: Demi Moore and Margaret Qualley Make Coralie Fargeat’s Sci-Fi Body Horror Double the Fun

    Cannes 2024: The festival’s most audacious horror film is sure to send more squeamish audiences running for the exits

    By

    Chase Hutchinson
    May 19, 2024 @ 2:50 PM
    Cannes Report
    2:50 PM
    ‘The Substance’ Review: Demi Moore and Margaret Qualley Make Coralie Fargeat’s Sci-Fi Body Horror Double the Fun
  • ‘Universal Language’ Review: Matthew Rankin’s Wonderfully Absurdist Vision Is Mirthful and Melancholic

    Cannes 2024: This audacious comedy is as delightfully funny as it is subtly reflective

    By

    Chase Hutchinson
    May 18, 2024 @ 8:53 AM
    Movies
    8:53 AM
    ‘Universal Language’ Review: Matthew Rankin’s Wonderfully Absurdist Vision Is Mirthful and Melancholic
  • ‘An Unfinished Film’ Review: This Pandemic Portrait of Moviemaking, Loss and Community Is Crushing

    Cannes 2024: Lou Ye’s latest film is one of the few about the pandemic to get it right

    By

    Chase Hutchinson
    May 17, 2024 @ 11:39 AM
    Cannes Report
    11:39 AM
    ‘An Unfinished Film’ Review: This Pandemic Portrait of Moviemaking, Loss and Community Is Crushing
  • ‘Bird’ Review: Andrea Arnold’s Arresting, Surreal Drama Soars

    Cannes 2024: Franz Rogowski and Nykiya Adams anchor a touching coming-of-age tale with a big swing

    By

    Chase Hutchinson
    May 16, 2024 @ 8:31 AM
    Movies
    8:31 AM
    ‘Bird’ Review: Andrea Arnold’s Arresting, Surreal Drama Soars
  • ‘The Girl With the Needle’ Review: Magnus von Horn and Vic Carmen Sonne Cast a Shattering Spell in Haunting Historical Drama

    Cannes 2024: With a killer score and stunning visuals, this film descends into darkness

    By

    Chase Hutchinson
    May 15, 2024 @ 3:59 PM
    Cannes Report
    3:59 PM
    ‘The Girl With the Needle’ Review: Magnus von Horn and Vic Carmen Sonne Cast a Shattering Spell in Haunting Historical Drama
  • Cannes: Meryl Streep Says Male Studio Execs Struggle to ‘See Themselves’ in Female Protagonists

    “I’ve said this 150,000 times, the hardest thing is for a male to live through the female in a movie who’s the lead,” the actress said at a Q&A at the Cannes Film Festival

    By

    Chase Hutchinson
    May 15, 2024 @ 7:33 AM
    Movies
    7:33 AM
    Cannes: Meryl Streep Says Male Studio Execs Struggle to ‘See Themselves’ in Female Protagonists
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