• Washington Post: Reeling them in

    BY ROBERT SKLAR | For a few golden years, a generation ago, Hollywood film directors preened as artists (also known as auteurs, the French word for authors). Then the movie moguls figured out how to make big bucks producing and marketing comic-book blockbusters, and the pretense was over. Most studio directors became faceless functionaries who…

  • Miami Herald: It’s a wrap

    SIX MAVERICK DIRECTORS DEFY HOLLYWOOD CONVENTION TO DO THINGS THEIR OWN WAY BY RENE RODRIGUEZ | Most any film buff will concur that the 1970s marked the last great era of American movies, thanks to the sheer number of talented filmmakers — Francis Ford Coppola, Steven Spielberg, Martin Scorsese, Robert Altman, William Friedkin and Brian…

  • Pittsburgh Tribune-Review: Author documents revolutionary filmmakers

    BY MICHAEL MACHOSKY | There's an infamous scene in "Pulp Fiction" where an adrenaline-filled needle is plunged through Uma Thurman's heart, to resuscitate her from a drug-induced coma. For many moviegoers, "Pulp Fiction" itself was that literal shot of adrenaline, jammed into the heart of a complacent, artistically comatose industry. It forced Hollywood to sit…

  • Variety

    BY WENDY SMITH | Want to know which hot young director prefers which recreational drug? Which one bathes and changes his clothes so infrequently that he smells bad? Which one hates his mother? New York Times Hollywood correspondent Sharon Waxman zestfully provides the answers in her enjoyably dishy book, obviously modeled on Peter Biskind's bestselling…

  • New York Observer: Miramax’s Big Morning; Waxman’s War Zone

    BY JAKE BROOKS | “I like being in war zones. And Hollywood is a kind of war zone,” joked Sharon Waxman, the boisterous reporter covering the film beat for The New York Times. A former Middle East correspondent, Ms. Waxman has some basis for comparison. “They’re both very challenging, but Hollywood is much more treacherous…