Isabella Rossellini and Mikey Madison have two of the most complicated roles of the year in “Conclave” and “Anora,” respectively. In Edward Berger’s Vatican-set thriller “Conclave,” Rossellini had to perform largely without speaking, as her nun character is silent through much of the film. And in “Anora,” Madison had to infuse her title character with an outward bite that fell apart in the movie’s final scene, an emotional breakdown that the actress worked hard to nail.
But immediately upon sitting down for TheWrap’s longform video series Visionaries at the Four Seasons Hotel in Beverly Hills, Rossellini and Madison made clear they were big fans of each other’s work – Madison even revealed that her mother showed her “Death Becomes Her” when she decided she wanted to be an actress.