‘Nickel Boys’: How the First-Person Cinematography ‘Creates Intimacy and Urgency in Every Shot’

TheWrap magazine: “Movies let us walk a mile in someone else’s shoes,” cinematographer Jomo Fray says of the POV effect. “That’s the fundamental promise of cinema: compassion.”

Aunjanue Ellis-Taylor in "Nickel Boys" (Amazon MGM Studios)
Aunjanue Ellis-Taylor in "Nickel Boys" (Amazon MGM Studios)

Jomo Fray can pinpoint the day when the bold idea of “first-person perspective” truly clicked.

The Brooklyn-based cinematographer and his director, RaMell Ross (an Oscar nominee for the 2018 documentary “Hale County This Morning, This Evening”), had spent months discussing, studying, and experimenting for the filming of “Nickel Boys.” Based on Colson Whitehead’s novel, the movie is shot almost entirely through the eyes of its main characters, Elwood and Turner (played by Ethan Herisse and Brandon Wilson), two young Black men at an inhumane reform school in Florida.

The eureka moment came during a scene when Elwood’s grandmother (Aunjanue Ellis-Taylor) visits the school to deliver bad news to her grandson.

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